7 Easy Ways to Improve your Piano-playing Strength and Dexterity

January 6, 2006 by Andy 

Here are seven simple ways to develop your finger strength and dexterity and so improve your piano playing technique.

1. Keys

Playing on different types of keyboard instrument can develop different playing technique.

Playing an acoustic piano or a realistic digital equivalent will develop greater finger strength, as it takes greater effort to depress each key.

It can also help in playing notes evenly, particularly quietly, due to its wide dynamic volume range.

Playing a synthesiser keyboard can develop playing speed, because the keys are lighter. It can also improve accuracy as you may need to be more careful not to depress notes inadvertently.

2. Scales

The bane of every music student? Scales and arpeggios are boring, but they work.

Not only do they help to reinforce knowledge of the notes in each key signature, but they help develop finger strength and rhythm.

Try playing major, minor and chromatic scales, and major and minor arpeggios, both single-handed and in unison in a variety of ways:

  • legato (notes smooth);
  • staccato (notes played shortly and sharply);
  • regular rhythm;
  • alternative rhythm (for example, hold the first note of each octave for longer than the other six notes);
  • alternative accents (for example, every third or fourth note);
  • inverted (same start note, right hand plays ascending notes whilst left hand plays descending notes, and vice-versa).

Remember to use the correct fingering for maximum benefit.

3. Stretches

  • Play two notes of at least an octave apart, with thumb and fifth finger.
  • Play a third note somewhere in between, with another finger.
  • Jump staccato from the lower to the higher note and back.
  • Hold thumb down on one note and play ascending staccato notes as far as possible with one of your fingers.

4. Work your weaker hand

Many pianists have one hand that is weaker than the other.

Since I stopped playing classical music regularly, my left hand is weaker and less dexterous than my left right.”

Scales (see above) will help, as will practising parts usually played by your stronger hand.

5. Work your weaker fingers

Generally, the little (fifth) finger is weaker than the other fingers in the hand (and the thumb is the strongest).

Significantly differing finger strengths will make it difficult to maintain even playing.

  • Practice playing scales with even volume across all fingers.
  • Play two alternating notes with your weakest finger and a stronger finger. Maintain an even rhythm and volume.
  • Play a run of three notes with your weakest finger and two stronger fingers. Again, maintain even rhythm and volume.

6. Styles

Learning to play music in a style that you are not used to can not only be fun, and improve your overall knowledge and musicianship, but it can also highlight areas where your fingers and hands are weaker or less agile.

It can take quite different technique to play classical music well, compared to rock, pop, jazz or blues, for example.

Try learning some music written in a different style, even just a portion or a phrase.

7. Key and Tempo

Try playing pieces or phrases of music you know well at different speeds and in different keys.

  • Dexterity can be challenged at faster tempos.
  • Steady rhythm can be challenged as tempos change.
  • Different fingers can be stretched and strengthened as a piece of music is played in a new key.

Practice these techniques on a regular basis and maintain your playing technique, strength and agility.

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Comments

4 Responses to “7 Easy Ways to Improve your Piano-playing Strength and Dexterity”

  1. Ryan on August 10th, 2008 12:36 pm

    “Since I stopped playing classical music regularly, my left hand is weaker and less dextrous than my left.”

    Sorry, I know what you meant but I still have to point that out.

  2. Andy on August 10th, 2008 7:52 pm

    Didn’t you know I have two left hands - a strong one and a weak one.

    Can’t believe no-one else has pointed that out in two-and-a-half years! :)

  3. Curtis on August 13th, 2008 7:39 am

    Some very good advice. I would only add that, in my experience, it is the fourth (ring) and not the fifth (pinky) which is the weakest for most players, because of the shared tendon between the third and fourth fingers. These are all excellent suggestions for improvement.

    A great way to develop better overall finger strength, wrist stability, and coordination between the fingers is to practice playing scales in minor and major thirds with each hand. That is, instead of just playing F G A Bb C D E F, for instance, play (F&A) (G&Bb) (A&C) (Bb&D), etc., so that you are always using two fingers for each degree of the scale.

  4. Andy on August 13th, 2008 10:42 am

    Good extra tips, Curtis, thanks.

    I hadn’t considered that my ring finger would be weaker, but I can see what you mean.

    I think perhaps the little finger (for me at least) is less controlled, so while it may have a bit more strength than the fourth, it’s slightly harder to control, which could affect timing rather than velocity.

    I like the “thirds” scale idea, too. Would certainly assist with mental recall of the notes of the major and minor scales, too. How might you transition from the third and fifth fingers back to the thumb and third fingers? Just “hop” to the next notes?

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