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Behringer has announced the launch of its gold-sputtered large-diaphragm studio condenser microphone.
Features Professional 1” gold-sputtered large-diaphragm condenser microphone for unsurpassed audio quality Ideal as main and support microphone for studio and live applications–perfect for acoustic instruments and overhead etc. Cardioid pickup pattern for outstanding sound source separation and feedback rejection Pressure-gradient transducer with shock-mounted gold-sputtered large-diaphragm capsule Switchable low-frequency roll-off and -10 dB input attenuation Ultra low-noise transformerless FET input eliminates low-frequency distortion Ultra-rugged construction with nickel-plated brass body Gold-plated 3-pin XLR output connector for perfect signal transmission Heavy-duty suspension mount, windscreen and aluminum transport case included Specifications Transducer type condenser, 1″ single diaphragm Operating principle pressure gradient Polar pattern cardioid Connection gold-plated balanced XLR connector Open circuit voltage at 1 kHz -34 +/-2 dBV (0 dBV = 1 V/Pa) Open circuit sensitivity 20 mV/Pa Frequency range 20 Hz – 20 kHz Level attenuation -10 dB (switchable) Low-Cut filter 6 dB/Octave at 75 Hz (switchable) Max. SPL (1% THD @ 1 kHz) 138 dB (0 dB), 148 dB (-10 dB) Equivalent SPL (IEC 268-4) 13 dB-A Signal-to-noise ratio re 1 Pa 81 dB A-weighted Nominal impedance 50 ? Load impedance > 1 k?
Mains Voltage/Fuse Supply voltage +48 V Supply current 3 mA
Physical/Weight Dimensions 0: 58 mm, length: 174 mm Weight 0,461 kg
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AUTHOR Andy Merrett Andy has been authoring at Piano & Synth Magazine for over 20 years.
He's a keen musician, has been playing piano since the age of five (that's over 45 years!), got his first 'proper' electronic keyboard (a Casio CasioTone model) in the mid '80s, and first experimented with MIDI on an Atari 8-bit before getting STs and Macs.
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