Behringer has announced its PROTON paraphonic semi-modular synth featuring 2 VCOs, 2 multi-mode VCFs and 2 VCAs, 4 envelopes and wave folder in Eurorack format.
Positively charge your synth setup with the new Behringer PROTON! This analog paraphonic semi-modular synthesizer is sure to become the new nucleus of your entire synth setup! Featuring two VCOs, multi-mode VCFs and a huge bay of patch points that’ll get all the electrons in the room dancing!
Designed around an intuitively linear workflow, PROTON benefits greatly from its semi-modular design, which requires no patching for immediate performance. Just put your PROTON into self-oscillation, connect your favorite keyboard or computer via MIDI over DIN or USB – and start exploring the world of analog music synthesis right out of the box.
The PROTON’s two self-oscillating, multi-mode VCFs can be configured in parallel or series, with linkable CVs for even more possibilities. It’s two ASR envelopes, each with reverse/inverse/loop/bounce options, give you control over VCAs and wave folders, while two analog ADSR generators allow for unique sound performance by modulating the VCFs.
The multi-mode wave folder adds rich harmonic content to the LFOs, and with two flexible LFOs with five waveforms, MIDI clock sync, key, sync, phase, and depth controls, the possibilities are endless. The noise generator takes waveform generation to the next level, and the ability to sum external audio into one or both VCFs only adds to the PROTON’s sound generation capabilities.
The PROTON is designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and mount the module using the included screws. This allows for the PROTON to be mixed with other synth modules for a truly unique set up.
Specifications
Synth Architecture
Number of voices
1 / 2 (monophonic / paraphonic)
Type
Analog
Oscillators
2 VCO
LFO
2 LFO
VCF
2 LPF/HPF/band Pass switchable 12 dB/octave
Envelopes
2 ADSR / 2 ASR
Wavefolder
1 Wavefold circuit
Connectivity
Power switch
Rear panel
MIDI In
5-pin DIN (top panel)
MIDI Thru
5-pin DIN (rear panel)
USB
USB 2.0 Type B socket
External Audio In
6.35 mm (1/4″) TR jack
Audio Output
6.35 mm (1/4″) TR jack
Headphone Out
6.35 mm (1/4″) TRS jack
USB
Type
Class compliant USB 2.0 Type B
Supported Operating Systems
Windows 7 or higherMac OS 10.10 or higher
Oscillator Section
Controls
Tune x 2, Shape x 2, Pulse Width x 2, Sub Osc x 2, Osc Mix.
Buttons
Range x 2, Paraphonic on/off, Sync on/off
Filter Section
Controls
Frequency x 2, Resonance x 2, Modulation Depth x 2, Envelope Depth x 2, Noise
Buttons
Filter Mode x 2, Filter Link on/off, Soft on/off, Key Track on/off
Wavefolder Section
Controls
Symmetry, Folds
Buttons
Mode
Envelope Section – ADSR
Controls
Attack x 2, Decay x 2, Sustain x 2, Release x 2
Buttons
Fast/Slow, Retrigger
Envelope Section – ASR
Controls
Attack x 2, Release x 2
Buttons
Loop, Bounce, Sustain, Invert, Reverse, Retrigger
LFO Section
Controls
Shape x 2, Rate x 2, Depth x 2
Buttons
1 Shot, Key Sync, Retrigger, Shift
VCA Section
Controls
Bias x 2, Volume, External Audio
Utilities Section
Controls
CV Mix, Portamento Time, Attenuator 1, Attenuator 2
Input Patchbay
3.5 mm TS jacks
Osc 1 CV, Osc 2 CV, Osc 1&2 CV, PW 1, PW 2, Shape 1, Shape 2, WF In, WF Sym, WF Folds, VCF 1 In, VCF 1 Freq, VCF 1 Resonance, VCF 2 In, VCF 2 Freq, VCF 2 Resonance, VCA 1 In, VCA 1 CV, External Input, Out Input, LFO 1 Trig, LFO 2 Trig, LFO 1 Rate, LFO 2 Rate, LFO 1 Shape, LFO 2 Shape, ADSR 1 Trig, ADSR 2 Trig, AR 1 Trig, AR 2 Trig, VCA 2 In, VCA 2 CV, Att 1 In, Att 2 In, Mult In, CV Mix 1, CV Mix 2, CV Mix CV, Sum A, Sum B
Output Patchbay
3.5 mm TS jacks
Osc 1, Osc 2, Osc Mix, WF, VCF 1, VCF 2, VCF Mix, VCA 1, VCA 2, Mult 1, Mult 2, Att 1, CV Mix, Sum, Att 2, ADSR 1, ADSR 2, AR 1, AR2, LFO 1 Uni, LFO 1 Bi, LFO 2 Uni, LFO 2 Bi, Assign
AUTHOR
Andy Merrett
Andy has been authoring at Piano & Synth Magazine for over 20 years.
He's a keen musician, has been playing piano since the age of five (that's over 45 years!), got his first 'proper' electronic keyboard (a Casio CasioTone model) in the mid '80s, and first experimented with MIDI on an Atari 8-bit before getting STs and Macs.
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